吴俊发的艺术创造与江苏水印版画场域的建构  

WU JUNFA’S ARTISTIC CREATION AND THE CONSTRUCTION OF JIANGSU WATERMARK PRINTMAKING FIELD

作　　者：颜克疾 YAN Ke-ji(College of Fine Arts,Jiangsu Normal University,Xuzhou 221116,China)

机构地区：[1]江苏师范大学美术学院,江苏徐州221116

出　　处：《南阳理工学院学报》2025年第1期113-117,共5页Journal of Nanyang Institute of Technology

基　　金：2020年度江苏省高校哲学社会科学研究一般项目“艺术场域视角下江苏水印版画的发展研究”(2020SJA1013)。

摘　　要：吴俊发在江苏水印木刻画派的形成发展过程中起到了关键的作用,他作为江苏省美术馆正式建馆的首任馆长,在全省的美术工作中主抓版画,利用职务优势为江苏版画活动提供了诸多便利。吴俊发凭借个人卓越的组织领导能力,与各级部门之间形成了良好的关系,在江苏地域内构建了适宜版画发展的场域,推动了江苏水印木刻的发展。而他大刀阔斧的水印语言,既具有版块力量又具有水墨韵味,是早期江苏水印木刻的主要表现方向。Wu Junfa played a key role in the formation and development of the Jiangsu watermark woodcut painting school.As the first director of the Jiangsu Provincial Art Museum,he was responsible for printmaking in the province's art work and provided many conveniences for Jiangsu printmaking activities by utilizing his position advantages.Wu Junfa,with his outstanding organizational and leadership skills,has established good relationships with various departments at all levels and built a suitable field for the development of printmaking in Jiangsu,promoting the development of Jiangsu watermark woodcut.And his bold watermark language,with both block strength and ink charm,was the main expression direction of early Jiangsu watermark woodcut.

关 键 词：吴俊发 江苏 水印木刻 版画 

分 类 号：J217[艺术—美术]