言横语竖:明代安徽插图版画的视觉秩序  

HORIZONTAL WORDS AND VERTICAL WORDS:THE VISUAL ORDER OF ANHUI ILLUSTRATION PRINTS IN THE MING DYNASTY

作　　者：胡志敏[1] 孙荣生[1] HU Zhi-min;SUN Rong-sheng(Art College,Huaibei Normal University,Huaibei 235000,China)

机构地区：[1]淮北师范大学美术学院,安徽淮北235000

出　　处：《南阳理工学院学报》2025年第1期123-128,共6页Journal of Nanyang Institute of Technology

基　　金：2022年安徽省哲学社会科学规划项目(AHSKY2022D210)。

摘　　要：明代是我国古代版画艺术发展的鼎盛时期,其中安徽区域的版画发展水平可堪称代表。插图版画是明代安徽版画存在的主要形制与视觉样式,而这一样式是依循一定的画面视觉秩序来呈现其艺术观念与审美表达的。视觉秩序的审美化与整体化实现,需要关联到版画的刻制方式、画面的构图布局以及具体的横竖语言等方面的视觉要素。本文以插图版画的视觉形式为考察维度,以刻制方式、构图布局和横竖语言为分析路径,尝试阐述此段历史时期安徽版画的基本视觉秩序状况与形式因素。The Ming Dynasty was the peak period of the development of ancient printmaking art in China,and the level of printmaking development in the Anhui region can be regarded as representative.Illustration printmaking is the main form and visual style of Anhui printmaking in the Ming Dynasty,which presents its artistic concepts and aesthetic expressions according to a certain visual order of the picture.The aesthetic and holistic realization of visual order requires visual thinking elements related to the engraving method of printmaking,the composition and layout of the picture,and specific horizontal and vertical language.This article takes the visual form of illustrated printmaking as the dimension of examination,and analyzes the basic visual order and formal factors of Anhui printmaking during this historical period through the methods of engraving,composition layout,and horizontal and vertical language.

关 键 词：明代安徽 插图版画 视觉秩序 横竖语言 刻制方式 

分 类 号：J2[艺术—美术]