设计符号学语义在钦州坭兴陶产品设计中的运用  

The Use of Design Semiotics in Nixing Ceramic Design

作　　者：周长元 刘浩洋 ZHOU Chang yuan;LIU Hao yang(Qinbei District,Qinzhou City,Zhou Chang Yuan Xiao Xingtao Creative Studio,Qin zhou 535000)

机构地区：[1]钦州市钦北区周长元坭兴陶创意工作室,钦州535000

出　　处：《佛山陶瓷》2025年第2期94-97,共4页Foshan Ceramics

摘　　要：坭兴陶与紫砂陶、建水陶、荣昌陶并称中国四大名陶,但其发展相对滞后。本文从设计符号学视角,系统解析坭兴陶的图形、色彩、造型和材料符号,揭示其表层显性语义和深层隐性语义。以广西铜鼓的独特符号为基础,设计出坭兴陶作品《和乐钟鼓》,并探讨其现代应用与发展策略。研究表明,结合传统符号学与现代设计理念,不仅能够提升坭兴陶的艺术价值和文化内涵,还能为其在全球范围内的推广提供新的路径,为坭兴陶的传承与创新提供理论支持和实践指导,助力这一传统工艺在新时代焕发新的生命力。Nixing potery is known as one of the four famous potteries in China,together with Zisha pottery,Jianshui pottery and Rongchang poery,but its development is relatively backward.From the perspective of design semiotics,this paper systematically analyses the graphic,colour,shape and material symbols of Nixing pottery,revealing its surface explicit semantics and deep implicit semantics.Based on the unique symbols of Guangxi copper drums,we design the Nixing pottery work'Harmony Bell and Drum'and discuss its modern application and development strategy.The study shows that the combination of traditional semiotics and modern design concepts can not only enhance the artistic value and cultural connotation of Nixing pottery,but also open up a new way for its promotion in the global arena,provide theoretical support and practical guidance for the inheritance and innovation of Nixing pottery,and help this traditional craft gain new vitality in the new era.

关 键 词：符号学 坭兴陶 陶瓷设计 

分 类 号：G63[文化科学—教育学]