人民形象的塑造与宣介:“567”时期景德镇人物雕塑瓷艺术  

Shaping and Publicity of People’s Image:Figurative Sculpture Porcelain Art in Jingdezhen During the“567”Period

作　　者：唐宇婷 蔡伟 TANG Yuting;CAI Wei(Jingdezhen Ceramic University,Jingdezhen 333403,China;Nanyang Normal University,Nanyang 473061,China)

机构地区：[1]景德镇陶瓷大学,景德镇333403 [2]南阳师范学院,南阳473061

出　　处：《中国陶瓷》2025年第2期95-104,共10页China Ceramics

基　　金：江西省2023年度研究生创新专项资金项目(YC2023-B238)。

摘　　要：新中国成立后,主题性人物雕塑瓷如雨后春笋般涌现,彰显出积极而持久的社会影响力。通过爬梳“567”时期人民形象塑造与宣介的理论逻辑,探讨景德镇人物雕塑瓷中人民形象的时代变奏,论述其阶段性演化、隐喻性表征与类型化倾向的艺术特征。通过对大量案例的对比、分析和探讨,得出结论,即景德镇人物雕塑瓷既有创新,又因时代的特殊性渐而流于形式化;景德镇人物雕塑瓷的新变映射出其与民众现实生活的耦合,并呈现出“大众艺术”的审美倾向。因此,“567”时期景德镇人物雕塑瓷中人民形象的塑造与宣介不仅是对现实生活的艺术化再现,更是对时代精神的表征与阐扬。After the founding of the People’s Republic of China,amidst the people’s ardent expectations for national construction and under the dual catalysis of ideological and artistic policies,thematic figure sculpture porcelain mushroomed,demonstrating a positive and lasting social influence.By combining the theory and logic behind the shaping and publicity of people’s images during the“567”period,the paper discusses the temporal variation of people’s images in Jingdezhen figurative sculpture porcelain,as well as their evolutionary stages,metaphorical representation and typification tendency.Through a comparative analysis and discussion of numerous cases,some conclusions are drawn:Jingdezhen figurative sculpture porcelain exhibits both innovation and a tendency toward formalism due to the uniqueness of the era.The new changes of Jingdezhen figurative sculpture porcelain reflect its coupling with the real life of the people and present an aesthetic tendency of“popular art.”Therefore,the shaping and promotion of the people’s image in Jingdezhen figurative sculpture porcelain at that period was not only an artistic representation of real life but also a representation and interpretation of the spirit of the times.

关 键 词：人民形象 塑造 宣介 景德镇 人物雕塑瓷 

分 类 号：J505[艺术—艺术设计]