战时家国命运的时间性反思——论萧红后期小说的重写现象  

Temporal Reflection on the Fate of the Nation During Wartime——On the Phenomenon of Rewriting in Xiao Hong’s Later Novels

作　　者：刘聿秋 LIU Yu-qiu(Shanghai Normal University,Shanghai 200233,China)

机构地区：[1]上海师范大学人文学院,上海200233

出　　处：《哈尔滨学院学报》2025年第2期87-91,共5页Journal of Harbin University

摘　　要：萧红在后期小说的创作中有意识地对前作进行重写,主要可分作人物的复现与题材的延续两种类型。重写作为一种创作现象,其背后实际显示出萧红思想反刍并重新定位的过程,目前研究对此尚未形成系统性的结论。早期萧红受主流意识形态影响,在其创作中明显存在重今薄古的价值取向,而抗战的全面爆发促使其时间观发生转向,萧红逐渐形成一种以战争的当前为起点回溯过去、想象未来的双向时间观念。由此出发,通过对旧文的重写实现对战时家国命运的反思与重构,《旷野的呼喊》《北中国》《后花园》《呼兰河传》等一系列后期小说实是萧红以古视今、以家视国的实验之作。In her later novel creations,Xiao Hong consciously rewrites her earlier works,which can be mainly categorized into two types:the reappearance of characters and the continuation of themes.Rewriting,as a creative phenomenon,actually reveals Xiao Hong’s process of ideological rumination and repositioning,and there is currently no systematic conclusion regarding this in existing research.In her early work,Xiao Hong was significantly influenced by mainstream ideology,thus had a clear value orientation of prioritizing the present over the past.However,the outbreak of the full-scale war prompted a shift in her perspective on time,and she gradually formed a bidirectional concept of time that starts from the present of war,reflecting on the past and imagining the future.From this perspective,the rewriting of old texts serves as a means for reflecting and reconstructing the fate of the nation during wartime.A series of later novels such as“The Call of the Wild”,“North China”,“The Back Garden”,and“Hulan River”are indeed experimental works by Xiao Hong that view the present through the past and the nation through the family.

关 键 词：萧红 重写现象 家国命运 时间思考 

分 类 号：I207.42[文学—中国文学]