薛道衡诗歌研究——“南朝化”与“反南朝化”的个案分析  

On the Poetry of Xue Daoheng——A Case Study of “Southern Dynasties Influence” and “Anti-Southern Dynasties Influence”

作　　者：韩健豪 HAN Jian-hao(Chinese Academy of Social Sciences University,Beijing 102400,China)

机构地区：[1]中国社会科学院大学马克思主义学院,北京102400

出　　处：《哈尔滨学院学报》2025年第2期97-102,共6页Journal of Harbin University

基　　金：国家社会科学基金一般项目,项目编号:20BZX056。

摘　　要：北齐文学主承北魏,较早效法齐梁,经历自身的艺术探索,诗风刚健爽朗,独具风神,初具超越陈朝文学的艺术成就。薛道衡,北齐文林馆十八文士之一,入隋后成为隋代文宗,其诗呈现鲜明的“南朝化”与“反南朝化”倾向。这两个倾向是南北诗风汇合的历史特征,也构成薛诗的艺术主线。“反南朝化”建立在“南朝化”基础上,成为薛道衡诗歌艺术的闪光点,更是认知、理解薛道衡诗歌的关键。The literature of the Northern Qi dynasty mainly inherited from the Northern Wei,and it imitated early the Qi and Liang styles,undergoing its own artistic exploration.The poetry of this period is characterized by its robust and refreshing style,possessing a unique spirit,and it initially achieved artistic accomplishments that surpassed those of the Chen dynasty.Xue Daoheng,one of the eighteen scholars of the Wenlin Pavilion in the Northern Qi,became a literary figure in the Sui dynasty after its establishment.His poetry exhibits a distinct tendency towards both“Southern Dynasties Influence”and“Anti-Southern Dynasties Influence”.These two tendencies are historical characteristics of the convergence of Northern and Southern poetic styles,and they form the main artistic thread of Xue’s poetry.“Anti-Southern Dynasties Influence”is built upon the foundation of“Southern Dynasties Influence”,becoming a highlight of Xue Daoheng’s poetic art and a key to understanding and interpreting his poetry.

关 键 词：薛道衡诗歌 “南朝化” “反南朝化” 北齐文人 

分 类 号：I222.6[文学—中国文学]