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作 者:杜亦峰 颜亮 DU Yifeng;YAN Liang(School of Liberal Arts,Tibet University,Lhasa Tibet,850000,China)
出 处:《文化创新比较研究》2025年第1期10-14,共5页Comparative Study of Cultural Innovation
基 金:西藏大学2024年度研究生高水平人才培养计划“新时期文学中西藏书写的文学实践及其文化意义研究——以小说为中心”(项目编号:2022-GSP-S081)阶段性成果。
摘 要:20世纪80年代是西藏小说从起步迈向成熟的重要节点,1977年,以《西藏文艺》的创刊为起点,西藏现实主义文学创作传统得到了较好的恢复;80年代中后期以来,创作主体们积极探索文学表述的形式,以“先锋之刃”切断了小说通往的意义和价值的道路。文学评论随文学创作的繁盛而呈现勃勃生机,逐渐形成了对西藏文学的评述、对“西藏新小说”的批评与反思、关于“真正的西藏文学是什么”等研究类型。该文分析了20世纪80年代西藏文学的特点与发展趋向,针对相关评论文章、著述,以及研究现状进行了综合性评述,认为西藏当代文学的创作与评论应赓续20世纪80年代西藏文学的优良传统,积极扮演思想解放、观念革新的先锋角色,承担起推动思想革新与文学变革的历史重任。The 1980s was an important node for Tibetan novels to move from the beginning to maturity.In 1977,starting with the publication of Tibetan Literature and Art,the tradition of realistic Tibetan literary creation was well restored.Since the mid to late 1980s,creative subjects have actively explored the forms of literary expression,cutting off the path of novels to meaning and value with the"vanguard blade".With the prosperity of literary creation,literary criticism has become vigorous,and has gradually formed research types such as comments on Tibetan literature,criticism and reflection on"new Tibetan fiction",and"what is real Tibetan literature".This paper analyzes the characteristics and development trend of Tibetan literature in the 1980s,makes a comprehensive review of the relevant review articles and works,and the research status quo.It believes that the creation and review of contemporary Tibetan literature should continue the fine tradition of Tibetan literature in the 1980s,actively play the vanguard role of ideological liberation and conceptual innovation,and shoulder the historical task of promoting ideological innovation and literary change.
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