侗乡民俗的挽歌:潘年英“故乡三部曲”的民俗文化与乡村社会变迁  

The Elegy of Dongxiang Folk Customs:Pan Nianying’s“Hometown Trilogy”and the Changes in Rural Society and Folk Culture

作　　者：龙曦悦 LONG Xi-yue(Guizhou Normal University,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《哈尔滨学院学报》2025年第1期88-92,共5页Journal of Harbin University

摘　　要：观照民族民俗与反映乡村现实社会变迁,是中国现当代文学经久不衰的话题。文章以侗族作家潘年英的“故乡三部曲”为研究对象,将视线聚焦侗乡民俗文化景观与乡村社会变迁,分析侗乡传统的生活方式、长老统治的侗寨社会及传统民族村落的变化,并指出现代化乡村畸形城市化、民俗文化消解,乡村已不再是灵魂栖息地。“故乡三部曲”弥漫浓郁的悲观色彩,潘年英怀恋曾经温情的故乡,拒斥畸形变迁的乡村,担忧侗族技艺和民俗的传承,“故乡三部曲”无疑是哀悼侗乡原始乡土生活终结的一曲民俗挽歌。Observing ethnic folklore and reflecting the changes in rural social reality are enduring topics in modern and contemporary Chinese literature.This article takes Dong ethnic writer Pan Nianying’s“Hometown Trilogy”as the research object,focusing on the folk cultural landscape and social changes in Dongxiang.It analyzes the traditional lifestyles of the Dong people,the elder-led governance of the Dong villages,and the transformations of traditional ethnic villages.It points out that the distorted urbanization of modern rural areas and the dissolution of folk culture have rendered the countryside no longer a dwelling place for the soul.The“Hometown Trilogy”is permeated with a strong sense of pessimism;Pan Nianying nostalgically recalls the once warm hometown,rejects the distorted changes in the countryside,and worries about the inheritance of Dong skills and folklore.Undoubtedly,the“Hometown Trilogy”serves as a folk elegy mourning the end of the original rural life in Dongxiang.

关 键 词：潘年英 “故乡三部曲” 侗乡民俗 乡村变迁 民俗挽歌 

分 类 号：I207.42[文学—中国文学]