应运而生的创作者:莫里哀作品中的传统性与原创性探源  

Richly Endowed Creator: An Exploration of Traditionality and Originality of Molière s Works

作　　者：张奥苒 ZHANG Aoran(School of Foreign Languages,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学外国语学院,北京100872

出　　处：《长春大学学报》2025年第1期57-61,共5页Journal of Changchun University

基　　金：教育部人文社科青年项目(2021-ZZJH-220);全国高校外语教学科研项目(2023IN0005)。

摘　　要：莫里哀的作品具有较高的艺术性和思想性,其创作风格和艺术价值影响至今。学界关于作品的研究多集中于喜剧风格、作品译介和艺术价值等方面,针对其创作风格传承与发展的专门研究尚不多见。本研究将《伪君子》等经典作品置于文学作品的谱系中,挖掘其传承性与流行性的深层理据,透视其中蕴含的深远文化渊源与独特个人才能,旨在探源莫里哀创作中的传统性与原创性,深化对其喜剧的认识,为研究和鉴赏莫里哀作品提供新的视角。Molière s works are of highly artistic and ideological features,and his creative style and artistic value still shine today.The existing researches on Molière s works mainly focus on the comedy style,translation and their artistic values.Very rare attention has been paid on the inheritance and development of his creation.This study places Molière s classics like Le Tartuffe in the pedigree of literary works,to excavate the underlying reasons why Molière s works contain both continuity and popularity,and to discover the profound cultural origin and Molière s unique faculty behind,aiming to explore the in-depth traditionality and originality in Molière s works,deepen the understanding of Molière s comedy,and provide a new perspective for studying and appreciating his works.

关 键 词：传统性 原创性 莫里哀 《伪君子》 

分 类 号：I565.073[文学—其他各国文学]