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作 者:王晓辉 王建文 Wang Xiaohui;Wang Jianwen(Zhongshan Institute,University of Electronic Science and Technology of China,Zhongshan Guangdong 528400,China;College of Physical Education,Hainan Normal University,Haikou Hainan 571158,China)
机构地区:[1]电子科技大学中山学院体育部,广东中山528400 [2]海南师范大学体育学院,海南海口571158
出 处:《武术研究》2025年第2期100-104,共5页Wushu Studies
摘 要:文章运用文献资料法、走访调查法等研究方法从中国北狮石雕文化,北狮运动文化的路径分野来探讨北狮文化。结论:(1)中国北狮石雕起源于东汉期间受佛教影响较大;(2)故宫太和殿狮雕是北狮雕塑文化的集大成之作;(3)“人演狮伎”东传后逐步形成了北狮民俗文化;(4)白纸坊太狮文化由处世文化、宗教信仰文化、道具文化、黑狮文化构建完成;(5)在道具演进过程中北狮石雕对北狮运动道具产生影响,道具历经三个时期终完成演变。Mainly using research methods such as literature review,visiting surveys,and interviews,this study explores the cultural differences between the North Lion Stone Carving Culture and the North Lion Sports Culture in China.Research suggests that:(1)Chinese North Lion Stone Carving originated in the Eastern Han Dynasty and was greatly influenced by Buddhism.During this period;(2)The Lion Carving in the Taihe Hall of the Forbidden City is a masterpiece of North Lion Sculpture culture;(3)The folk culture of the Northern Lion gradually formed after the eastward spread of the"human performing lion technique";(4)The"Bai Zhi Fang Tai Shi"culture is constructed by the culture of social interaction,religious beliefs,prop culture,and black lion culture;(5)During the evolution of props,the North Lion Stone Carving had an impact on the North Lion sports props,and the props underwent three periods of evolution and finally completed their evolution.
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