概念整合理论下中国古典诗歌的意境生成  

The Formation of Artistic Conception in Chinese Classical Poetry Through the Conceptual Integration Theory

作　　者：李燕[1] LI Yan(School of Foreign Languages,Guangdong Peizheng College,Guangzhou 510830,China)

机构地区：[1]广东培正学院外国语学院,广东广州510830

出　　处：《湖州职业技术学院学报》2024年第4期30-33,共4页Journal of Huzhou Vocational and Technological College

摘　　要：意境是中国传统文论中的重要概念,它在诗歌中呈现出情景交融的形象性、虚实相生的结构性、韵味无穷的审美性等特征。隐喻从人类认知与思维的角度对诗歌意境产生的过程进行解释,而将隐喻进一步深化的概念整合模型为系统性解释诗歌意境提供了科学研究方法。文章利用该方法对中国古典诗歌的概念整合进行分析,清晰地展现了中国古典诗歌意境的生成过程。Artistic conception is a pivotal concept in traditional Chinese literary theory.It exhibits characteristics in poetry:the imagery of harmoniously blended emotions and settings,the structure interplay the real and the imaginary,and the aesthetic appeal of boundless charm.Metaphor elucidates the genesis of artistic conception in poetry from the perspective of human cognition and thinking.The conceptual integration model offers a scientific research methodology for systematically interpreting artistic conception in poetry.By applying this model,the conceptual integration within Chinese classical poetry can be analyzed,thereby illuminating its formation process.

关 键 词：概念隐喻 中国古典诗歌 意境 概念整合模型 

分 类 号：I206[文学—中国文学]