论敦煌变文中的僧人旅行与空间叙事--以《庐山远公话》为例  

On Priests’Travel and Spatial Narration in Tun-Huang Pien--Taking Lushan Yuangonghua as an Example

作　　者：杨小涵 Xiaohan Yang(School of Chinese Language and Literature,Yunnan Normal University,Kunming Yunnan)

机构地区：[1]云南师范大学文学院,云南昆明

出　　处：《国学(汉斯)》2024年第6期1172-1179,共8页Chinese Traditional Culture

摘　　要：《庐山远公话》作为敦煌变文中的宗教旅行文本,具有宗教和文学的双重价值。一方面,从文化语境来看,《庐山远公话》是敦煌讲唱文学中的产物,取材于东晋历史上真实的人物原型名僧慧远,并带有集体创作的痕迹,而其在流变的过程中添加的有关佛力的神异情节,无疑彰显了宗教宣传的书写意图;另一方面,《庐山远公话》围绕远公的空间旅行展开叙事,空间的“转场”促成情节的变化,引发叙事的冲突和转折。而旅行又是在宗教背景下进行的故远公的旅行构成了一种象征上的宗教仪式,从而带上了神秘且神圣的宗教色彩。Asa religious travel textin DunhuangBianwen,Lushan Yuangonghuahas both religious and literary values.On the one hand,from the perspective of cultural context,Lushan Yuangonghua is a product of Dunhuang singing literature,which is based on the real prototype monk Hui Yuan in the history of the Eastern Jin Dynasty,with traces of collective creation,and the miraculous plot about Buddha’s power added in its evolution undoubtedly shows the writing intention of religious propaganda;on the other hand,Lushan Yuangonghua narrates around Yuangong’s space travel,and the“transition”of space leads to the change of plot,which leads to the conflict and turning point of narrative.And the travel is carried out in the religious background,so the travel from afar constitutes a symbolic religious ceremony,which has a mysterious and sacred religious color.

关 键 词：敦煌变文 宗教旅行 空间叙事 

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