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作 者:陈敬玉[1,2] 李莹 CHEN Jingyu;LI Ying(College of Fashion,Zhejiang Sci-Tech University,Hangzhou Zhejiang 310018,China;Zhejiang Silk and Fashion Culture Research Center,Zhejiang Sci-Tech University,Hangzhou Zhejiang 310018,China)
机构地区:[1]浙江理工大学服装学院,浙江杭州310018 [2]浙江理工大学浙江省丝绸与时尚文化研究中心,浙江杭州310018
出 处:《武汉纺织大学学报》2025年第1期3-7,100,共6页Journal of Wuhan Textile University
基 金:浙江省哲学社会科学年度课题(22NDJC077YB);浙江省丝绸与时尚文化研究中心培育课题(ZSFCRC202101PY).
摘 要:为深入探讨同源民族间的服饰文化交融,文章从族源和祖源入手,通过文献梳理、田野调查及案例分析、比较等方法,剖析了畲瑶服饰的形制特征、色彩观念及装饰细节。研究发现:畲、瑶两族虽在地理分布上存在间隔,但由于共同的祖先意识和祖源传说,其服饰形制、色彩及细节上表现出同一性和相似性。祖源神话再现于畲瑶民众的服饰中,既是祖源意象的转译与表达,也是族群历史记忆的延续和文化认同的表征。In order to deeply explore the cultural intermingling of costumes among ethnic groups of the same origin,this paper analyzes the morphological features,colour concepts and decorative details of the costumes of the She and Yao ethnic groups,starting from their ethnic and ancestral origins,and through the methods of literature combing,field investigation and case analysis and comparison.It is found that although the She and Yao ethnic groups are separated in Although there is a gap in their geographical distribution,the She and Yao show homogeneity and similarity in the form,colour and details of their costumes due to their common sense of ancestry and ancestral origin myths.The study shows that the reproduction of ancestral origin myths in the costumes of the She and Yao people is not only the translation and expression of ancestral origin imagery,but also the continuation of the historical memory of the ethnic groups and the representation of their cultural identity.
分 类 号:TS941.12[轻工技术与工程—服装设计与工程]
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