艺术学视阈下侬壮服饰元素文化数字化设计探究  

Research on the Digital Design of Zhuang Costume Elements from the Perspective of Art Studies

作　　者：高天奇 周驿妤 GAO Tianqi;ZHOU Yiyu(Guangxi Normal University,Guilin 541006,China)

机构地区：[1]广西师范大学,广西桂林541006

出　　处：《鞋类工艺与设计》2025年第3期71-73,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：在艺术学视域下,对侬壮服饰元素的文化探究工作在学术界是一个较受关注的话题。通过学术史演变的逻辑理路,可以发现对侬壮服饰元素的研究工作主要经历了宏观审视时期、服饰关注时期、细节窥探时期。如今,按照学术界的研究发展,主要体现在对侬壮服饰元素的历史渊源、文化特色以及工艺细节进行阐释。因此,为了深度探索侬壮服饰的数字化创新出路,需要反思数字化保护境遇、构建数据文化体系、探究数字化美学应用。Within the realm of art studies,the cultural exploration of Zhuang ethnic costume elements has become a topic of considerable academic interest.Tracing the evolution of scholarly approaches,research on Zhuang costumes has progressed through phases of macroscopic examination,focus on apparel,and scrutiny of details.Currently,according to academic literature reviews,the primary focus lies in elucidating the historical origins,cultural characteristics,and craftsmanship details of Zhuang costumes.Therefore,to deeply investigate the digital innovation pathways for Zhuang costumes,it is necessary to reflect on the circumstances of digital preservation,establish a data-oriented cultural system,and explore the application of digital aesthetics.

关 键 词：艺术学 侬壮服饰 数字化 

分 类 号：TB472[一般工业技术—工业设计]