古典雕塑中的人体姿态与衣纹表现研究  

A Study on the Representation of Human Posture and Drapery in Classical Sculpture

作　　者：陈静 Chen Jing(Nanjing Normal University of Special Education,Nanjing 210038,China)

机构地区：[1]南京特殊教育师范学院,南京210038

出　　处：《艺术与设计(理论版)》2025年第1期109-111,共3页Art and Design

基　　金：2023年度江苏高校哲学社会科学研究一般项目(2023SJYB0523)。

摘　　要：在西方艺术史中,古希腊和古罗马时期的古典雕塑具有无比崇高的地位,尤其是古典雕塑中的服饰之美,其美感源于服装穿着在人体上所形成的视觉效果,人体线条的韵律会从衣纹线条的变化中显现出来,形成千变万化,富有节奏韵律的高贵优雅的审美效果。文章将考察古典雕塑中站姿、坐姿和运动姿态下的人体造型与衣纹之间的关系,以此来探索古典雕塑中的服饰艺术之美。In the history of Western art,classical sculpture from ancient Greece and Rome holds a prestigious position,particularly the beauty of drapery,which derives its aesthetic appeal from the visual effects created by clothing on the human body.The rhythmic lines of the human form are revealed through the variations in the drapery,resulting in a noble and elegant aesthetic characterized by diversity and rhythmic grace.This paper will examine the relationship between human figures in standing,seated,and dynamic poses and their drapery in classical sculpture,in order to explore the beauty of the art of drapery within this context.

关 键 词：古典雕塑 人体姿态 衣纹表现 

分 类 号：J333[艺术—美术]