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作 者:陈丹丹 Chen Dandan(School of Cultural Communication and Design,Guangdong Open University,Guangzhou Guangdong 510091,China)
机构地区:[1]广东开放大学文化传播与设计学院,广东广州510091
出 处:《天水师范学院学报》2024年第5期57-62,共6页Journal of Tianshui Normal University
基 金:2021年度广东开放大学科研项目“明清通俗小说序跋研究”(YB2103)阶段性成果
摘 要:明末通俗小说序跋不同于明代其他时期的小说序跋,它不仅很好地体现了明末社会剧变的这一特点,同时也实现了自身的新变。其新变主要有四个方面:序跋作者的身份变化;序跋反映小说创作的崇实观念;序跋及时反映时局变化;序跋大量出现主客问答体形式。以明末通俗小说序跋为研究对象,探讨其新变的具体表现,有助于认识序跋文体自身的发展和社会环境与文学的相互作用。The prefaces and postscripts of popular novels in the late Ming Dynasty are different from those in other periods of the Ming Dynasty.They not only well reflect the characteristics of the drastic social changes in the late Ming Dynasty,but also achieve their own new changes.The new changes are mainly reflected in the following four aspects:the change of the identity of the authors of the prefaces and postscripts;the concept of realism in novel creation reflected in the prefaces and postscripts;the timely reflection of the current political situation in the prefaces and postscripts;the emergence of the question-and-answer style between the host and the guest in the prefaces and postscripts.Taking the prefaces and postscripts of popular novels in the late Ming Dynasty as the research object and discussing the specific manifestations of their new changes is helpful to understand the development of the preface and postscript style itself and the interaction between the social environment and literature.
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