明清江南市镇社会的文化审美实践方式与特征  

On the Practice Mode of Cultural Aesthetics and Characteristics of Jiangnan Town's Society in Ming and Qing Dynasties

作　　者：李正爱 Li Zhengai

机构地区：[1]浙江科技大学人文学院,浙江杭州310023

出　　处：《艺术管理(中英文)》2024年第4期145-152,共8页Journal of Arts Management

基　　金：浙江省高校重大人文社会科学攻关计划项目“明清江南乡镇文人群体审美活动研究”(项目编号:2023QN087)

摘　　要：明清时期,江南地区市镇经济的繁荣与文教深化,使文化审美逐渐成为一种文化自觉和内在精神需求。江南市镇社会在文化审美实践中发展了一套多层次的审美对象体系和相应的审美实践方式,形成了具有乡土特性的文化审美内涵。具体的审美实践体现为:对自然景观的文化审美创造活动主要是对市镇自然美的探索与发现,对人文景观的文化审美创造活动主要是以历史性的重构方式与文化想象性价值赋予其审美内涵,而对日常生产生活场景的文化审美活动则通过历史性变迁的历史观察、诗意体验与文化狂欢性的方式进行。其共同点是在日常生活中不断发现和强化对审美对象的感知与认同,以诗意性方式进行审美性体验活动和文化性的历史创造。During the Ming and Qing Dynasties,the prosperity of towns in Jiangnan greatly promoted the deepening of their“civilized manners”,and cultural aesthetics gradually became a kind of cultural consciousness and inner spiritual needs.In the practice of cultural aesthetics,The society of Jiangnan towns had developed a set of multi-level aesthetic object system,and Corresponding aesthetic practice mode,which had formed cultural aesthetic connotation with local characteristics.It had manifested as:first,The natural landscape is mainly the exploration and discovery of natural beauty attributes;Second,the aesthetic of human landscape is mainly the historical reconstruction and cultural imagination value;Third,the aesthetic of daily life is mainly embodied in the historical observation of historical changes,poetic experience and cultural carnival aesthetic pleasure.

关 键 词：明清 江南市镇社会 文化审美实践方式 审美特征 

分 类 号：K248[历史地理—历史学] C912.8[历史地理—中国史] D691[经济管理] I206.2[社会学]