第三空间视角下的环境式小剧场音乐剧运营探索  

Operation of Ambient Small Theatre Musicals in the Third Space Perspective

作　　者：王惠仪 成啸 Wang Huiyi;Cheng Xiao

机构地区：[1]上海音乐学院艺术管理系,上海200030

出　　处：《艺术管理(中英文)》2024年第4期94-99,共6页Journal of Arts Management

基　　金：国家社会科学基金艺术学项目“国有交响乐团的音乐传播策略研究”(项目编号:23BD073)

摘　　要：2020年以来,以“星空间”为代表的演艺新空间音乐剧在上海演出市场崭露头角,并推动演艺新空间戏剧从小众艺术走向台前。本文以爱德华·索亚的第三空间理论视角对上海演艺新空间音乐剧展开研究,对上海演艺新空间音乐剧在传统音乐剧制作和运营模式上进行了解构和重构,尤其在演出制作、观演关系和观众互动三方面进行了第三空间视角下的调整,推动了演艺新空间音乐剧在上海演出市场的崛起。Since 2020,ambient small theatre musicals represented by those of“Star Space”have risen in Shanghai performance market,leading the expansion of site-specific musical theatres from a niche art form.This paper studies New Performing Spaces for Musical Theatre in Shanghai from the perspective of Edward W.Soja’s Third Space Theory and argues that this form of musical theatres has deconstructed and reconstructed the way how traditional musical theatres are produced and operated.It has also adjusted three aspects including performance production,audience relationship and audience interaction in the third space level,corresponding to production,performances,and audience demand in supply-chain,which promotes its growth in Shanghai’s show business.

关 键 词：第三空间 演艺新空间 环境式音乐剧 上海演出市场 

分 类 号：J822[艺术—戏剧戏曲]