映照与想象:四川汉画像砖中的螺袖套袖舞图释析  

Reflection and Imagination:Study on Gyro-like Sleeve Dance in Sichuan Brick Paintings

作　　者：仝妍[1] 刘泠君 Tong Yan;Liu Lingjun

机构地区：[1]华南师范大学音乐学院 [2]北京舞蹈学院人文学院

出　　处：《星海音乐学院学报》2023年第3期108-124,共17页Journal of Xinghai Conservatory of Music

基　　金：浙江音乐学院实验室及科学研究平台开放基金资助项目“中华美学精神与当代舞蹈艺术理论评论话语建构”(项目编号:ZY2023D001)阶段性成果

摘　　要：汉代画像砖石是中国古代舞蹈研究的重要图像史料,图像中的舞蹈形象可被看作为汉代人对于其时舞蹈形貌的认知缩影。本文以舞服物理构形的视角进入汉代袖舞图像,对东汉时期四川地区汉画像砖中的螺袖套袖舞图展开研究。通过探析相关舞图的叙事内容、风格特征与功能意义,探究时人对士族自娱袖舞的形象认知和审美取向,以及墓葬文化中袖舞图像的功能价值,以此窥见东汉时期蜀地乐舞文化的一隅。Pictorial bricks and stones of the Han Dynasty serve as important visual historical materials for studying ancient Chinese dance.The dance images depicted on these bricks can be regarded as snapshots of the Han people's understanding of dance during their time.This paper examines the images of sleeve dance from the pictorial bricks of the Eastern Han period in Sichuan,using the physical configuration of dance costumes as an entry point.By exploring the narrative content,style characteristics and functional significance of the related dance figures,this paper probes into the image cognition and aesthetic orientation of the gentry's self-entertaining sleeve dance,as well as the functional value of sleeve dance images in the burial culture,in order to get a glimpse of the Shu-land music and dance culture in the Eastern Han Dynasty.

关 键 词：四川画像砖 螺袖套袖舞 宴乐 墓葬艺术 

分 类 号：J709[艺术—舞蹈]