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作 者:彭志 PENG Zhi(Institute of Chinese Culture,Chinese Academy of Art,Beijing 100012,China)
机构地区:[1]中国艺术研究院中国文化研究所,北京100012
出 处:《唐都学刊》2024年第5期84-88,共5页Tangdu Journal
基 金:国家社会科学基金艺术学青年项目“中国历代地方志版刻插图整理与研究”(21CF188);中国艺术研究院院级学术研究项目“存史问道:明清北京方志与地域文化书写”(2022-1-19)
摘 要:两宋之交,词体发展进入瓶颈期,亟需在理论层面进行辨析。词人李清照在《词论》中提出词“别是一家”之说,赋予了词体新的发展方向。词“别是一家”指向协律、铺叙、典重、情致、故实等具体衡量标准,时人及后世多有对此观点的评骘,褒奖揄扬、指摘贬斥、持论中允均有。同时,李清照不唯理论阐述,她在填词上也秉持“别是一家”的理念,将其理论主张与填词的遣词造句密切结合。At the turn of the Northern and Southern Song Dynasties,the development of ci poetry reached a bottleneck,necessitating theoretical analysis and breakthrough.Poetess LI Qingzhao proposed the idea of regarding“ci as a unique genre”in her work“On Ci Poetry”which provided a new direction of development for this literary form.The phrase of“ci as a unique genre”points to specific criteria for the measurement of ci,including harmonious rhyme,detailed narration,allusions,emotion expression,and historical facts.This viewpoint has been the subject of both praise and criticism from contemporaries and later generations alike.Not only does she provide theoretical elaboration,but she also adhered to the concept of regarding“ci as a unique genre”in her own compositions,closely integrating rigorous theoretical principles with her word choice and sentence structure in creating ci poetry.
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