红色题材剧《烛光在前》在革命叙事上的新发展  

New Developments in the Revolutionary Narratives of the Red Drama Candlelight in Front

作　　者：李晓 LI Xiao(Yancheng Kindergarten Teachers College,Yancheng 224005,China)

机构地区：[1]盐城幼儿师范高等专科学校,江苏盐城224005

出　　处：《红色文化资源研究》2024年第1期171-181,共11页Studies of Red Cultural Resources

基　　金：江苏高校“青蓝工程”资助项目(项目编号:[2021]11);江苏高校哲学社会科学研究资金项目“新世纪江苏现代戏创作研究”(项目编号:22021SJA1952)

摘　　要：红色题材剧《烛光在前》以中国共产党创始人张太雷烈士为原型,讲述其妻子陆静华引导儿女前赴后继、追随其足迹走上革命道路的感人故事。剧作采用视角转换、虚实结合的方式,以陆静华为主角的侧面、间接叙事方式,将宏大的革命叙事转化为一种对人物内心丰富情感世界的传达,同时作生活化的艺术处理和呈现,通过极具象征意义的“烛光”来结构全剧,隐喻默默奉献、牺牲和具有导引、激励意义、作用的革命精神与传统,在革命历史题材剧的叙事上取得了富有拓展性、变革性、丰富性的新探索。The red drama Candlelight in Front takes the martyr Zhang Tailei,the founder of the Communist Party of China,as a prototype,and tells the touching story of his wife Lu Jinghua,who guided their children to go forward and follow his footsteps of revolution.Through the perspective shift and the combination of the real with the imaginary,the drama transforms the grandiose revolutionary narration into the conveyance of the rich emotional world of the Characfers.The drama is structured with the"candlelight"as the core,which symbolizes silent dedication,sacrifice,and the revolutionary spirit and tradition that has the significance and role of guidance and inspiration,and has made a new exploration of the narrative of the revolutionary historical drama that is full of expansion,change and richness.

关 键 词：红色题材剧 烛光在前 革命叙事 新探索 

分 类 号：J825[艺术—戏剧戏曲] I207.36[文学—中国文学]