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作 者:贾冀川[1] 常周 JIA Ji-chuan;CHANG Zhou(School of Chinese Language and Literature,Nanjing Normal University,Nanjing 210003,China)
出 处:《红色文化资源研究》2024年第1期60-66,共7页Studies of Red Cultural Resources
基 金:国家社科基金项目“二十世纪中国红色戏剧文学研究”(项目编号:17BZW149)
摘 要:20世纪中国红色戏剧中的工人形象契合时代脉搏,呈现多元样貌。苏区红色戏剧、国统区左翼戏剧、解放区戏剧中作为“反抗者”的工人形象彰显了斗争精神与革命意识;新中国成立后,工人响应党和国家的号召,积极投身社会主义建设,自觉升华为“国家的人”这一理想形象;新时期主流(主旋律)戏剧形塑了趋于平常与真实的新工人形象,呈现出工人回归平凡后的时代力量与崭新可能。作为投射国族想象的关键角色,众多丰富立体的工人在红色戏剧中讲述时代故事,展现个人风貌,成为以“抗争的人”“国家的人”“普通的人”等为内核建构的崭新国族形象谱系的重要组成部分。In the twentieth century,the workers in Chinese red dramas were in tune with the pulse of the times and showed a diverse appearance.The image of workers as"rebels"in the red dramas of the Soviet Union,the left-wing dramas of the Nationalist Region,and the dramas of the Liberated Areas highlights their spirit of struggle and revolutionary consciousness;after the founding of New China,workers responded to the call of the Party and the State and actively participated in the construction of socialism,and presented the ideal image of"people of the country";the mainstream drama of the new era has created a new image of workers as ordinary and real,showing their strength and potential in the new era when they return to ordinary life.As key players in projecting the image of the nation,numerous rich and lively workers tell their stories of the times and display their personalities in red dramas,and become an important part of the new national image construlted by cores about"people of struggle","people of the nation",and"ordinary people".
关 键 词:新国族形象 20世纪中国红色戏剧 工人形象
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