红山文化兽面玉梳形器研究  

Research on Jade Comb-shaped Artifacts with Beast Face Motifs from the Hongshan Culture

作　　者：朱乃诚[1] Zhu Naicheng

机构地区：[1]中国社会科学院考古研究所,北京100101

出　　处：《文博学刊》2024年第5期100-109,共10页Journal of Archaeology and Museology

摘　　要：红山文化兽面玉梳形器曾被称为“勾云形玉器”“带齿动物面纹玉饰”“兽面玉佩”“带爪鹰面羽形佩”等,其在红山文化中的流行年代为公元前3300—前2920年,经历了9个时段的演化,大致由大而精致向小而粗略的方向发展,直至象征飞鹰的兽面纹特征消失。在红山文化之后,兽面玉梳形器形成了两种演化趋势,一是兽面梳形器的特征消失,二是瓦沟纹逐步发展为减地凸棱纹。兽面玉梳形器的源头可能与凌家滩文化有关。The jade comb-shaped artifacts with beast face motifs from the Hongshan culture were once referred to as"hooked-cloud shaped jade artifacts","jade ornaments with teethed animal face motifs","beast-faced jade pedants","eagle-faced jade pendants with claws",and so on.These artifacts were popular during the Hongshan culture period,from 3300 B.C.to 2920 B.C.,and underwent nine phases of evolutionary development.The general trend was from large and exquisite to small and rough,until the beast face motifs that symbolized the flying eagle disappeared.After the Hongshan culture,the evolution of these jade comb-shaped artifacts followed two trends:one was the disappearance of their characteristic motifs,and the other was the gradual development of the tile groove pattern into a reducedground convex ridge pattern.The origin of the jade comb-shaped artifact with beast face motif may be related to the Lingjiatan culture.

关 键 词：红山文化 兽面玉梳形器 勾云形玉器 兽面玉佩 凌家滩文化 玉梳篦 

分 类 号：K876.8[历史地理—考古学及博物馆学]