Utilization of Memorials as Performance Space for Performance of Cultural Trauma and Memory: Navigating the Role of Performing Arts Administrators as Curators and Witnesses(PartI)  

利用纪念馆作为表演文化创伤和记忆的表演空间:作为策展人和见证人的表演艺术管理者的角色导航(上)

作　　者： 李承元

机构地区：[1]Harold&Miriam Steinberg Center for Theatre at Roundabout Theatre Company

出　　处：《艺术管理(中英文)》2024年第3期127-139,148,共14页Journal of Arts Management

摘　　要：This research paper explores the role of performing arts administrators in utilizing memorials as a performance space for the performance of cultural trauma and memory.The study aims to examine the current paradigms of performing arts curating and creative placemaking and address their intersectionality with the frameworks on the performance of cultural trauma and memory.Through in-depth textual analysis,interviews with experts,and two case studies,the research suggests that the current understanding of curation in relation to performing arts administration lacks guiding principles in effectively establishing a safe performance space for incorporating the performance of cultural trauma.Findings in this study outline that the trauma-informed approach offers a promising guideline to inform the administrators of the necessary components like care for the artists and the administrators themselves as the witnesses and curators.The research examines how live performance curation and trauma-informed placemaking have been implemented specifically with the 9/11 Memorial and Museum and the“Comfort Women”Memorial in San Francisco.With this analysis,this paper recommends an Updated Guiding Principles of Trauma-Informed Approach for Performing Arts Administrators,introducing practical implications for arts administrators to incorporate in their season planning and space curation when presenting works related to cultural trauma and corresponding collective memory engagement.本研究探讨了表演艺术管理者在利用纪念馆作为文化创伤和记忆表演的表演空间中所扮演的角色。本研究旨在考察当前表演艺术策展和创意场所营造的范式,并探讨它们与文化创伤和记忆表演框架之间的交叉性。通过深入的文本分析、与专家的访谈和两个案例研究,研究表明,目前对表演艺术管理中的策展的理解缺乏指导原则,无法有效地建立一个安全的表演空间,以纳入文化创伤的表演。本研究的结果概述了创伤知情方法,提供了一个很有前景的指导原则,让管理者了解必要的组成部分,如对艺术家的关怀,以及管理者本身作为见证人和策展人的关怀。本研究探讨了现场表演策划和创伤知情的场所营造是如何在旧金山的9/11纪念馆和博物馆以及“慰安妇”纪念馆中具体实施的。通过分析,本研究推荐了《表演艺术管理者创伤知情方法的最新指导原则》,介绍了艺术管理者在呈现与文化创伤和相应的集体记忆有关的作品时,将其纳入演出季规划和空间策划的实际意义。

关 键 词：Cultural trauma Trauma-Informed CURATION Placemaking 

分 类 号：J892.4[艺术—戏剧戏曲] G268.1[历史地理—考古学及博物馆学]