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作 者:李晓嵘 LI Xiaorong(College of Liberal Arts,Hebei University,Baoding,Hebei 071002,China)
出 处:《平顶山学院学报》2025年第1期41-46,共6页Journal of Pingdingshan University
摘 要:两宋时期一直被认为是“文选学”的极衰期,纵观《昭明文选》在两宋文人间的接受状况,呈现出由推崇到贬低,再到相对公正的过程。从《昭明文选》所具有的文学总集与写作范本双重身份入手,探索两宋文人对《昭明文选》接受与转变的原因。作为经典文学总集,《昭明文选》具有永恒的生命力,在两宋时期依旧具有受众群体,在文人间发挥着潜在影响;作为被摹写的文学范本,《昭明文选》实用性的发挥历经高涨然后消退再到回复的过程,呈现出与时代风气相互动的新变化。《昭明文选》所具有的双重身份使其在衰微期呈现出独特的接受现象。The period of Song dynasties has always been regarded as the extreme decline of Literary Anthology by Prince Zhaoming,and the reception of Literary Anthology among literati in the Song dynasties shows a process from admiration to disparagement and then to relative justice.Starting from the dual identity of the Literary Anthology as a collection of literature and a model of writing,this paper explores the reasons for the acceptance of the Literary Anthology by the literati of Song dynasties.As a collection of classic literature,Literary Anthology has eternal vitality,and still has an audience in Song dynasties,exerting a potential influence among literati.As a literary model that has been copied,the practicality of Literary Anthology has gone through the process of rising and then fading and then recovering,showing new changes in interaction with the atmosphere of the times.The dual identity of Literary Anthology makes it still present a unique phenomenon of acceptance in the period of decline.
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