疗愈文化视域中的中国户外音乐节  

On Chinese Outdoor Music Festival from the Perspective of Healing Culture

作　　者：尹金凤[1] 陈毓冰 YIN Jin-feng;CHEN Yu-bing(School of Journalism and Communication,Hunan Normal University,Changsha,410081,China)

机构地区：[1]湖南师范大学新闻与传播学院,湖南长沙410081

出　　处：《湘潭大学学报(哲学社会科学版)》2025年第1期163-168,共6页Journal of Xiangtan University:Philosophy And Social Sciences

摘　　要：户外音乐节文化在当今已远不仅是一种娱乐现象,其背后蕴含着深刻的文化逻辑。结合疗愈文化考察户外音乐节这一文化现象,可以发掘其未被关注到的意义。观众奔赴现场的行为实际上是一次自我疗愈的积极实践,与此同时也拓宽了疗愈文化的视域。其中,音乐“朝圣”、体验消费以及出走日常是维系观众进行疗愈实践的三个动因,观众置身现场后通过现场氛围建构归属感、具身在场获得意义感、突破常规实现超越感这三重路径实现自我疗愈。进一步拷问此种疗愈实践背后的底层逻辑,可以从中窥见当代青年诉诸自身的情感结构、逃离结构的新兴策略以及非功利性的意义追求。The culture surrounding outdoor music festivals is far more than entertainment phenomenon in today’s society..It encapsulates a deeper cultural logic,reflecting broader social and cultural dynamics.By inspecting the cultural phenomenon of outdoor music festival in combination with healing culture,we can explore its significance that has not yet been paid attention to.The audience’s behavior of rushing to the scene is actually a positive practice of self-healing,and at the same time,it also broadens the horizon of healing culture.Music“pilgrimage”,experience consumption and transitorily getting out of the routine are the three motivations to sustain the audience’s healing practice.After being on the scene,the audience can achieve self-healing through the triple path of building a sense of belonging through the live atmosphere,obtaining a sense of meaning through personal presence,and acquire a sense of transcendence by breaking the convention.Further questioning the theoretical proposition behind this healing practice,we can get a glimpse of the contemporary youth’s appeal to their own emotional structure,the emerging strategy of escaping from the structure and the non-utilitarian pursuit of meaning.

关 键 词：户外音乐节 疗愈文化 自我疗愈 现场展演 

分 类 号：G123[文化科学]