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作 者:张寸木旭 刘晓玉 Zhang Cunmuxu;Liu Xiaoyu(Jingdezhen Ceramic University)
机构地区:[1]景德镇陶瓷大学
出 处:《景德镇陶瓷》2024年第6期102-104,共3页Jingdezhen Ceramics
基 金:江西省科技厅重点研发计划重点项目“吉州窑黑釉陶瓷产品制备工艺技术创新研究”,项目编号:20212BBE51022。
摘 要:吉州窑创烧于唐,宋至元是其兴盛时期,终于元末。工匠们通过独特的制作技巧,产生变化多端的釉面与纹样,吉州窑的釉色有青釉、黑釉、绿釉、窑变釉、内白外黑釉之分,装饰大体为贴花、釉下彩绘、洒釉、木叶贴花等,吉州窑鼎盛时期纹饰多样且寓意丰富、又善于学习其他窑厂的长处,现代的吉州窑传承者创作了多面体的器型,将传统装饰以现代观念的方式表达,以新的符号语言获得发展,反映了民众生活、价值和审美意趣。Jizhou Kiln was created and burned in the Tang Dynasty,and the Song to Yuan Dynasty was its prosperous period,and finally the end of the Yuan Dynasty.Craftsmen through the unique production skills,produce a variety of glaze and patterns,Jizhou Kiln glaze color has green glaze,black glaze,green glaze,kiln glaze,white glaze and black glaze,decoration is generally decals,underglaze painting,sprinkle glaze,leaf appliqué,etc.,Jizhou Kiln heyday ornamentation is diverse and rich in meaning,and good at learning the strengths of other kiln factories,the modern Jizhou Kiln inheritors created a polyhedral shape,the traditional decoration in the way of modern concepts,with a new symbolic language to get development,reflecting the people's life,value and aesthetic interest.
分 类 号:K87[历史地理—考古学及博物馆学]
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