泼墨写意、工笔点睛——浅谈陶瓷青花花鸟画创作技法  

Splashing Ink for Expressive Freehand,Adding the Finishing Touch with Detailed Brushwork--The creative techniques of ceramic blue and white fl ower and bird painting

作　　者：胡飞 Hu Fei

机构地区：[1]“古月飞云”工作室

出　　处：《景德镇陶瓷》2024年第6期111-113,共3页Jingdezhen Ceramics

摘　　要：陶瓷作为早期绘画的重要载体,为花鸟题材绘画的发展、演化起到了巨大作用和深远影响。尤其是随着青花瓷的产生,这种陶瓷装饰形式因其在表现手法、审美意境、文化源头上与中国水墨的高度融合性,对中国画表现形式的借鉴吸收尤为明显,迅速在各种陶瓷装饰手法中异军突起,使其成为最具民族性和代表性的传统陶瓷装饰样式。基于此,本文主要围绕着陶瓷青花花鸟画创作技法展开,概述陶瓷青花花鸟画的历史与文化价值以及泼墨写意与工笔点睛在陶瓷青花中的意义,分析泼墨写意技法与工笔点睛技法在陶瓷青花花鸟画中的应用,探究泼墨写意与工笔点睛技法在现代陶瓷青花花鸟画中的创新与发展,为陶瓷青花花鸟画的研究提供相应数据参考。As an important carrier of early painting,ceramics have played a great role and far-reaching influence on the development and evolution of flower and bird painting.Especially with the production of blue and white porcelain,this form of ceramic decoration is particularly obvious because of its high degree of integration with Chinese ink painting in terms of expression techniques,aesthetic conceptions,and cultural sources,and it has quickly emerged in various ceramic decoration techniques,making it the most national and representative traditional ceramic decoration style.Based on this,this paper mainly focuses on the creation techniques of ceramic blue and white flower and bird painting,summarizes the historical and cultural value of ceramic blue and white flower and bird painting,and the significance of splashed ink freehand and fine brush finishing touch in ceramic blue and white painting,analyzes the application of splashed ink freehand technique and fine brush finishing technique in ceramic blue and white flower and bird painting,and explores the innovation and development of splashed ink freehand and fine brush finishing technique in modern ceramic blue and white flower and bird painting,so as to provide corresponding data reference for the research of ceramic blue and white flower and bird painting.

关 键 词：陶瓷青花 花鸟画 创作技法 

分 类 号：J21[艺术—美术]