情境营造与视觉构建——电影《孤星计划》美术设计的多维表达  

Contextual creation and visual construction:The multidimensional expression of production design in Burning Star

作　　者：李畅 于成龙 Li Chang;Yu Chenglong(School of Fine Art,Beijing Film Academy)

机构地区：[1]北京电影学院美术学院,北京100088

出　　处：《现代电影技术》2025年第1期58-63,共6页Advanced Motion Picture Technology

摘　　要：电影美术作为电影创制的重要组成部分,不仅是视觉艺术的创作,更是角色塑造和影片叙事的重要手段。角色的状态与场景氛围相互作用,构成了影像空间情境。本文从电影《孤星计划》的美术设计角度出发,重点探讨影片整体“肃杀”氛围的视觉情境构建,同时围绕光影、色彩、道具、空间四个不同维度的美术视觉造型进行系统研究,通过对这些元素的细致剖析,揭示当下电影美术设计如何通过这些视觉元素有效推动影片情境氛围的呈现,并构建出独特的视觉语言,增强影片叙事深度与情感张力。Production design,as an integral component of filmmaking,is not only a form of visual art but also a crucial tool for character development and narrative storytelling.The interaction between a character's emotional state and the atmo-sphere of the setting creates the spatial context of the cinematic image.This paper examines the production design of Burning Star,focusing on the visual construction of its overarching"bleak and desolate"atmosphere.It systematically ex-plores the production design across four dimensions,which are lighting,color,props,and space.By analyzing these ele-ments in detail,the study seeks to uncover how contemporary production design leverages these visual components to ef-fectively convey the film's contextual atmosphere,establish a distinct visual language,and enhance the narrative depth and emotional tension of the work.

关 键 词：电影美术 电影美术设计 情境营造 视觉构建 

分 类 号：J913[艺术—电影电视艺术]