唐代诗歌中疾病的多重言说空间  

The Multiple Speech Space of Disease in the Tang Dynasty Poetry

作　　者：张丽丽 ZHANG Lii(Chengdu Normal University,Chengdu 611130,China)

机构地区：[1]成都师范学院文学与新闻学院,四川成都611130

出　　处：《天中学刊》2025年第1期105-112,共8页Journal of Tianzhong

基　　金：四川省社会科学重点研究基地“杜甫研究中心”一般项目(DFY201914)。

摘　　要：疾病作为诗歌题材,在唐诗中多有呈现。卧疾书写倾向于私人空间的病体传达,卧疾自述与繁复的思绪相关联,卧病寄远扩大了病体言说空间,成为情绪纾解的方式。问疾与酬和是交游空间的病体互动,从中可以窥见以疾病作为交流话题所展开的士人、僧俗之间的生活常态。当诗人将对生命的关注迁移至自然空间,病物就成为诗歌意象。病物既是病体自况,也是人生处境的隐喻。疾病视域下迁客逐臣关于南方地理空间的想象和建构,以致病的瘴疠之气作为符号化表征,主要源于物候环境的无所适从以及文化上的华夷之别,也是诗人传递北归愿景的途径。As a poetic subject,disease is often presented in the Tang poetry.When poets wrote about illness,they tend to express their illness in self-statements with complex thoughts.Writing poems and sending them to friends expands the space for the statements and becomes a way of emotional relief.Diseases consultation and poems writing were the interaction in the social space,from which we can see the daily life between scholars and monks who used diseases as a topic of communication.When poets transfer their attention from life to the natural space,the sickness becomes the poetic image.The imagination and construction of the relegated literati about the geographical space of the south,with the pathogenic miasma as the symbolic representation,mainly stems from the inability to adapt to the climate environment and the cultural distinction,which is also the way for the poets to convey the desire to return to the north.

关 键 词：唐诗 卧疾 问疾 病物 蛮瘴 

分 类 号：I206.2[文学—中国文学]