昭陵唐墓壁画中的间裙研究  

Study on the Skirt in the Murals of Tang Tomb, Zhaoling

作　　者：阚荟辰 KAN Huichen(Xi'an Academy of Fine Arts,Xi'an 710065,China)

机构地区：[1]西安美术学院,陕西西安710065

出　　处：《西部皮革》2025年第2期149-151,共3页West Leather

摘　　要：文章旨在分析唐代间裙服饰的形态特征、起源背景、演变过程及其所蕴含的社会文化动因。采用文献综述、统计分析及比较研究的方法,对昭陵唐墓壁画中所描绘的间裙服饰进行了系统的色彩、剪裁及穿着方式的归纳与总结。间裙作为一种由两种或多种色彩布条交错缝合而成的服饰,其色彩组合丰富多样,在唐代初期广为流传,彰显了古代服饰艺术的独特魅力。间裙的设计理念与色彩搭配不仅展现了当时社会的审美偏好和艺术风格,也映射出唐代社会的开放性和包容性。研究指出,间裙的发展与变迁反映了唐代女性对美的追求和时尚趋势的演进,为全面认识唐代艺术特征、深化对唐代服饰文化内涵的理解提供了重要视角。This study aims to analyze the morphological characteristics,historical origins,evolutionary trajectory,and socio-cultural motivations behind the skirt,a distinctive garment from the Tang Dynasty.Employing methodologies such as literature review,statistical analysis,and comparative research,the article systematically categorizes and summarizes the color schemes,tailoring techniques,and wearing styles of skirts depicted in the murals of the Tang tomb named Zhaoling.The skirt,a garment crafted by interlacing strips of two or more colored fabrics,exhibits a rich diversity of color combinations and enjoyed widespread popularity during the early Tang Dynasty,showcasing the unique charm of ancient clothing artistry.The design philosophy and color coordination of the skirt not only reflect the aesthetic preferences and artistic styles of the era but also mirror the openness and inclusiveness of Tang society.The research highlights that the development and transformation of the skirt illustrate the evolving pursuit of beauty and fashion trends among Tang women,offering a significant perspective for comprehensively understanding the artistic characteristics of the Tang Dynasty and deepening the interpretation of its clothing culture.

关 键 词：间裙 间色裙 唐墓壁画 演变 

分 类 号：K879.41[历史地理—考古学及博物馆学]