真实与重构:许鞍华电影中的女性形象  

Reality and Reconstruction:Female Images in Ann Hui's Films

作　　者：郑雨晴 ZHENG Yuqing(Liberal Arts College,Nanjing University,Nanjing 210000,China)

机构地区：[1]南京大学文学院,江苏南京210000

出　　处：《枣庄学院学报》2024年第6期64-69,共6页Journal of Zaozhuang University

摘　　要：纪录片《好好拍电影》让观众有机会近距离了解许鞍华更为生动真实的一面。作为一位极具作者风格的导演,她在创作中始终用饱含人性而又不动声色的目光注视着女性命运,塑造了众多鲜活饱满的女性形象。这些既真实又被加以重构的女性形象,一方面揭示出女性在社会结构中所面临的系统性困境,另一方面也体现着女性主体意识的觉醒。此外,许鞍华以其独特的镜头语言与浓厚的写实风格,实现了超越性别视角下对普通个体、社会乃至历史的记录。The documentary Keep Rolling offers audiences an intimate glimpse into the more vivid and authentic dimensions of Ann Hui.As an auteur-style director,Hui has consistently employed a gaze imbued with nuanced yet understated humanity to examine female destinies throughout her creative practice,crafting numerous complex and richly textured female characters.These meticulously reconstructed yet deeply authentic portrayals of women serve a dual purpose:they expose the systemic predicaments faced by women within social structures while simultaneously embodying the awakening of female subjectivity.Furthermore,through her distinctive cinematic language and profound realist approach,Hui achieves a gender-transcendent documentation of ordinary individuals,societal dynamics,and historical trajectories.

关 键 词：许鞍华 电影 女性形象 真实 重构 

分 类 号：J97[艺术—电影电视艺术]