欲望对象与主体差异——《罗密欧与朱丽叶》的拉康式解读  

The Object of Desire and the Difference of Subject:Lacanian Interpretation of Romeo and Juliet

作　　者：张路雨 ZHANG Luyu

机构地区：[1]西安外国语大学英文学院

出　　处：《语言与文化论坛》2024年第2期87-96,共10页Forums of Language and Culture

摘　　要：莎士比亚的《罗密欧与朱丽叶》探讨了爱情在家族仇恨和社会规约的夹缝中艰难求生。该文从拉康精神分析的视角,剖析了“对象a”在爱情中的矛盾影响,以及“大他者”询唤下男女主人公的主体差异。同时,通过分析陪衬角色的声音,展现了爱情的矛盾性和在时代背景下的复杂性,揭示了爱情的易逝美以及它在社会规约中的脆弱地位。该文所描摹的爱情本质上不是尘世中受社会、文化、伦理等多重限制的被规约的爱情,也不是只受形体支配的激情,而是尘世无法消受的无形体、不可捉摸、脆弱易逝的爱情本身。这种爱情带来的体验就像精神分析批评家拉康式的欲望,游动在能指链中无迹可求。该文结合拉康欲望理论,探讨了戏剧中的爱情主题,以及作者对自由和真实爱情的人文主义追求。Shakespeare's Romeo and Juliet delves into the struggle of love under family feud and social discipline.From the perspective of Lacanian psychoanalysis,this paper analyzes the contradictory effects of the"object petit a"in love and the difference of subject between the hero and heroine under the interpellation of the"Big Other".And the voices of the foil characters reflects the paradoxes and the complexities of love in the context of the times,revealing its fleeting beauty and fragility under social discipline.The love depicted by the author is not essentially an earthly love disciplined by society,culture,and ethics,nor is it a passion governed only by physical appearance,but rather the intangible,elusive,and fragile love itself that cannot maintain lastingly in this world.The experience brought by this kind of love is like the desire described by the psychoanalytic critic Lacan,flowing along the signifier chain without a trace.This paper explores the theme of love in the drama in the context of Lacanian theory of desire and the author's humanistic pursuit of free and true love.

关 键 词：《罗密欧与朱丽叶》 精神分析 拉康 欲望 

分 类 号：I20[文学—中国文学]