叶公超的“新批评”缘分与理论实践  

Ye Gongchao's“New Criticism”Connection and Theoretical Practice

作　　者：罗振亚[1] Luo Zhenya

机构地区：[1]南开大学文学院中文系,天津3000071

出　　处：《南开学报(哲学社会科学版)》2025年第1期93-104,共12页Journal of Nankai university Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金重点项目(21AZW016)。

摘　　要：叶公超凭借学术研究、课堂教育、文学编辑“三管齐下”的合力作用,译介传布“新批评”理论,成为英美“新批评”与中国新诗之间的一道“桥梁”;叶公超的诗学研究坚持诗歌的本体论眼光,善于从语言修辞和形式结构因素进行文本细读,注意兼收并蓄的包容性,在驳杂的异质因素关系中取得平衡,提出了读者反应论,具有浓郁的“新批评”色彩;叶公超侧重于形式分析的课程讲授、话语建构和“实际批评”方法践行,在一定程度上促成了20世纪30年代中国现代诗学的智性转向。Ye Gongchao,through his academic research,classroom teaching,and literary editing efforts,translated and disseminated the theory of“New Criticism,”becoming a“bridge”between Anglo-American New Criticism and Chinese modern poetry.His study of poetics adhered to an ontological perspective on poetry,excelling in close reading of texts through language rhetoric and formal structural elements.He emphasized inclusivity,balanced diverse and heterogeneous factors,and introduced reader-response theory,which was heavily influenced by New Criticism.Ye Gongchao focused on formal analysis in his course instruction,discourse construction,and the practice of“practical criticism”.This contributed to the intellectual shift in Chinese modern poetics in the 1930s.

关 键 词：缘分 “桥梁” “新批评”色彩 智性转向 

分 类 号：I207.25[文学—中国文学]