反叛学院派诗歌的同路人——论第三代诗人对“垮掉的一代”的选择与接受  

Fellow Travelers of Rebellious Academic Poetry:On the Third-Generation Poets'Choice and Reception of the“Beat Generation”

作　　者：吕周聚 Lv Zhouju

机构地区：[1]青岛大学文学与新闻传播学院,山东青岛266071

出　　处：《南开学报(哲学社会科学版)》2025年第1期113-121,共9页Journal of Nankai university Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金项目(19BZW097)。

摘　　要：在改革开放的大背景下,第三代诗人与“垮掉的一代”相遇,他们都以反叛学院派诗歌为旨归,成为反叛学院派诗歌路上的同路人。作为后来者,第三代诗人不同程度地接受了“垮掉的一代”的影响。第三代诗人的价值观与“垮掉的一代”有一些相同之处:喜欢放浪形骸的生活方式,对新奇事物抱有兴趣;在诗学观念上,他们以“一切皆可入诗”为指导,注重日常生活抒写;反对晦涩朦胧的语言,追求口语入诗;反对象征、隐喻,提倡即兴写作,长镜头手法成为其叙述特征。同时我们也应看到,第三代诗人固然接受了“垮掉的一代”的影响,但他们并非来者不拒地照搬照套,而是根据自己的主体需要来加以选择,因此第三代诗歌呈现出一些不同于“垮掉的一代”的中国特色。Against the backdrop of the reform and opening-up period,the third-generation poets encountered the“Beat Generation”,and both groups rebelled against academic poetry,becoming fellow travelers on the road of rejecting traditional poetic norms.As later arrivals,the third-generation poets were influenced by the“Beat Generation”to varying degrees.Their values shared similarities with the“Beat Generation”,such as a preference for a free-spirited lifestyle and an interest in novelty.In terms of poetic concepts,they were guided by the principle that“everything can be poetry”,emphasizing the expression of everyday life.They opposed obscure and ambiguous language,advocating for the inclusion of colloquial speech in poetry.They rejected symbolism and metaphors,promoting spontaneous writing,with the long-shot technique becoming a characteristic of their narrative style.Simultaneously,it is important to recognize that while the third-generation poets were influenced by the“Beat Generation”,they did not blindly replicate its style.Instead,they selectively adapted elements according to their own needs,resulting in a style of poetry with distinct Chinese characteristics.

关 键 词：第三代诗 垮掉的一代 即兴写作 口语入诗 

分 类 号：I106.2[文学—世界文学]