推行“制作人制作制”:新时期中国原创音乐剧发展路径思考  

Promoting the“Producer Centered Production System”:Reflections on the Development Path of Original Chinese Musicals in the New Era

作　　者：梁卿 LIANG Qing(School of Education,Dongguan University of Technology,Dongguan 523015,China)

机构地区：[1]东莞理工学院教育学院,广东东莞523015

出　　处：《湖州师范学院学报》2025年第1期97-106,共10页Journal of Huzhou University

基　　金：国家社科基金(艺术学)项目“中国原创音乐剧发展进路研究(1980—2018)”(19BB018)研究成果。

摘　　要：音乐剧经四十余年的“本土化”创制实践已渐显根植于中国文化之新质,并逐渐形成中国原创的基本样式,在新时代科技创新赋能背景下即将迎来“蜕变”或“裂变”的新时期。但越来越多的共性问题始终纠缠于剧目创制各环节,不少作品实践周而复始地重复前人前作的错误。深究其原因发现,缺乏优秀、职业、专业的音乐剧“制作人”是问题之关键。在新的发展背景下,早先推行的“导演负责制”已经无法保障原创音乐剧的产业化创制运营,大力推行“制作人制作制”已成必然趋势。深入探讨“制作人”的角色身份、基本素质以及“制作人制作制”理论内涵等显得尤为必要。After more than forty years of“localization”in production practices,musicals have gradually shown new characteristics rooted in Chinese culture and gradually formed the basic style of Chinese originals.In the context of technological innovation empowering musicals in the new era,they are about to usher in a period of“transformation”or“evolution”.However,more and more common challenges persist in various stages of production,with many works repeatedly making the same mistakes as their predecessors.Upon deeper investigation,the lack of outstanding,professional,and specialized musical producers is found to be the crux of the problem.In the context of new development,the previously implemented“director responsible system”can no longer guarantee the industrialized creation and operation of original musicals.It has become an inevitable trend to vigorously promote the“producer centered production system”.It is particularly necessary to discuss the role identity and basic qualities of producers,and the oretical connotations of the“producer centered production system.

关 键 词：原创音乐剧 “制作人” “制作人制作制” 

分 类 号：J822[艺术—戏剧戏曲]