表征反对真实:Sora技术的媒介属性与伦理困境  

Representation against Reality: Media Properties and Ethical Dilemmas of Sora Technology

作　　者：庄君[1] 邱紫东 ZHUANG Jun;QIU Zidong(College of Film&TV Arts,Liaoning Normal University,Dalian,Liaoning 116000,China)

机构地区：[1]辽宁师范大学影视艺术学院,辽宁大连116000

出　　处：《贵州大学学报(艺术版)》2025年第1期65-73,共9页Journal of Guizhou University Art Edition

基　　金：教育部哲学社会科学研究重大课题攻关项目招标课题“中国图像传播通史研究”(项目编号:22JZD029)。

摘　　要：2024年2月15日,Open AI(美国开放人工智能研究中心)发布视频生成模型Sora,演示了技术如何通过大量的数据训练来模拟人类的认知与创造力。Sora通过输入文字语言生成高度仿真的意向图像与视频,是对Chat Gpt技术的进一步衍生,因此,Sora又被定义为“世界模拟器”。这一定义暗含着一种技术伦理倾向,即承认柏拉图的“洞喻”假说或者认为人的自主意识仅为“缸中之脑”。该技术不仅面临着现代技术过量增殖的反思批判,还触及到了关于人类的主体地位在数字世界的重新评估。未来Sora的广泛应用也可能导致传统媒介属性的变化,使媒介更加倾向于表征而非真实反映现实。On February 15,2024,Open AI(Open Artificial Intelligence Research Center in the United States)released its video generation model Sora,showcasing how technology can simulate human cognition and creativity through extensive data training.Sora generates highly realistic images and videos by inputting textual language,representing a further extension of Chat GPT technology.Consequently,it is also referred to as“World Simulator”.This definition indicates an ethical tendency that recognizes Plato’s“allegory of the cave”hypothesis or suggests human autonomous consciousness merely as a“brain in a vat”.Hence,this technology faces not only critical reflections on the excessive proliferation of modern technology but also touches upon the re-evaluation of human subjectivity in the digital world.Additionally,the future widespread application of Sora may lead to changes in traditional media properties,making media more inclined towards representation rather than authentically reflecting reality.

关 键 词：SORA 世界模型 人工智能 媒介考古 

分 类 号：J904[艺术—电影电视艺术]