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作 者:李海伦 唐婷婷(译) Helen Rees;TANG Tingting(University of California,Los Angeles,USA)
机构地区:[1]加州大学洛杉矶分校,洛杉矶
出 处:《贵州大学学报(艺术版)》2025年第1期93-105,共13页Journal of Guizhou University Art Edition
摘 要:1995年10月,中国云南省纳西自治县大研古乐会的10位纳西族乐师来到英国,开始了他们的第一次国外巡演,演出取得了巨大成功。纳西音乐家在1988年至1995年间对外国客人的观察,与外国客人的互动,让他们的第一次国外巡演成为了可能。对外国客人多年的观察与互动,使他们为自己的传统探索出了一个行之有效的“文化中介”模式,继而成功地使其适应了当时英国巡演中的各种限制条件。此后,纳西音乐师们一系列的国际巡演直接或间接地为纳西族带来了巨大的知名度和经济利益,升华了纳西族人和纳西族文化在中华民族、国际世界和纳西族人自己眼中的形象。In October 1995,ten Naxi(one of the 56 ethnic groups in China)musicians from the ancient music society in Dayan town,Naxi Autonomous County,Yunnan Province,China,embarked on their first international tour in the United Kingdom.Their performance was an enormous success.Observations and interactions with foreign guests made by Naxi musicians over the years between 1988 and 1995 facilitated their first overseas tour.Years of observing and interacting with foreign guests enabled them to discover an effective model as the“cultural intermediary”for their traditional exploration,subsequently adapting it successfully to the various constraints of their UK tour.And thus,the series of international tours made by Naxi musicians directly or indirectly brought immense recognition and economic benefits to Naxi community,enhancing the image of both Naxi people and their culture in the eyes of the Chinese nation,the international world,and Naxi people themselves.
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