西方生态音乐学研究的引力、脉络与争议  

Attraction,Context and Controversies of Western Ecomusicology Research

作　　者：姚萌 张谦[1] YAO Meng;ZHANG Qian(School of Music and Recording Arts,Communication University of China,Beijing 100024,China)

机构地区：[1]中国传媒大学音乐与录音艺术学院,北京100024

出　　处：《贵州大学学报(艺术版)》2025年第1期106-115,共10页Journal of Guizhou University Art Edition

摘　　要：生态音乐学这一新兴跨学科研究领域诞生于2000年前后。生态音乐学在西方的兴起离不开双层历史动因:关于环境危机认识论的转型,以及音乐学的研究对象向“音乐—声音”连续统一体之拓展。这一研究领域的边界一直处于动态形成过程之中,而对环境问题的关注是其核心问题意识。生态音乐学在发展过程中也面临种种争议与挑战,这些讨论主要围绕生态学概念的隐喻性使用以及生态学研究方法等话题而展开。Ecomusicology,as an emerging interdisciplinary research field,was born in the early 2000s.The rise of ecomusicology in the West is inseparable from two historical causes:the epistemological transformation of environmental crisis,and the expansion of musicology to the“music-sound”continuum.The boundaries of this research domain have constantly been in a state of dynamic formation,with environmental issues serving as its core concern.Ecomusicology has also faced controversies and challenges throughout its development,primarily centered on the metaphorical use of ecological concepts and ecological research methodology.

关 键 词：生态音乐学 音乐学 环境危机 

分 类 号：J60-05[艺术—音乐]