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作 者:詹伟 彭雅 喻宏 ZHAN Wei;PENG Ya;YU Hong(Jingdezhen Ceramic University,Jingdezhen,Jiangxi 333403,Jiangxi,China)
出 处:《陶瓷学报》2025年第1期204-210,共7页Journal of Ceramics
基 金:国家社会科学基金(20BG138);江西省社会科学基金(19YS28)。
摘 要:中国传统陶瓷造物蕴藏着致用利人、重美轻用、器以藏礼的器物观,其本源特征与文化之多样性以隐喻的方式传递着“善”的造物伦理,它包含着中国传统造物哲学、工艺技术、审美风尚、制度礼仪等诸多内涵。从设计与文化的角度出发,以实用陶瓷、陈设陶瓷、陶瓷礼器三种品类之器为物质界定,探究“善”在不同器物品类观照之内的尺度范围。同时,结合当下可持续设计背景的发展趋势,对“善”之文化内涵与“器”的物性关系提出新的思考,以期为未来手工艺设计发展提供思路。[Background and purpose]This paper is based on two research backgrounds.(1)According to the results of the National Social Science Foundation of China's"Research on the Cultural Construction and Design of Contemporary Chinese Living Ceramic Vessels",the artifact concept of traditional Chinese ceramic creations was elaborated.From the"Tao"into"vessels",Chinese traditional ceramics and contemporary ceramics are in the same vein and have the same cultural genes.The study on contemporary Chinese living ceramics is inseparable from the study of traditional ceramic creations.(2)A theoretical basis was provided for"goodness"in the research of ceramic design.It helps to guide the designers to pay more attention to cultural connotation and social responsibility in the creative process.Ceramic design is not only the pursuit of beauty,but also the practice of goodness.By integrating the concept of"goodness"into the thinking of design,designers can better balance the relationship between tradition and modernity,function and aesthetics,and individual and society,so as to create ceramic works that are both beautiful and practical,rich in cultural connotation and in line with the requirements of sustainable development.[Methods]Three research methods are used,including literature analysis,image analysis and data comparison.Literature analysis is used to understand the cultural connotation of"goodness"in traditional Chinese ceramics,by collecting,identifying and sorting out relevant literature.Through the analysis of the shape,decoration,function and meaning of different ceramic categories,the picture analysis method is employed to intuitively show the value scale of"goodness"in different categories of ceramics.Through the analysis of the proportion of"practical function","aesthetic function"and"ceremony",the specific scale range of"goodness"in different ceramic categories is obtained,which can be quantitatively defined.With the combination of these three methods,the scale of"goodness"in traditional Chinese ceramics could be exp
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