览胜纪游:清代嘉道年间桂林山水的实景书写与仿本创作  

Traveling While Appreciating the Scenery:The Realistic Depiction and Creation from Copybooks of Guilin Landscapes during the Qing Jiaqing and Daoguang Periods

作　　者：郭林林[1] Guo Linlin

机构地区：[1]广州美术学院《美术学报》编辑部,广东广州510260

出　　处：《艺术探索》2025年第1期13-21,共9页Arts Exploration

基　　金：广东省哲学社会科学“十三五”规划2020年度学科共建项目“嘉道时期广东文人雅集与书画交游研究”(GD20XYS18)。

摘　　要：桂林山水虽在唐代就得以发现并开始传播于岭外,然而其图像创作则相对较晚,而桂林山水的实景创作则直至清代才开始出现。清代嘉道年间,画人张宝、罗辰、张祥河在实地游览的基础上分别创作了桂林山水的实景图像,并刊刻为纪游图册传于后世。这些纪游图像的绘制确立了清代桂林山水图像范式,为其他画家所接受并奉为粉本进行相关图像的创作。这不仅为推介桂林山水提供了图像参考,也表明了嘉道年间美术创作领域的追摹真实自然的创作新风向,亦表明在当时实学兴起的背景下画学的革新要求。Although the landscapes of Guilin were discovered and began to be known beyond the Lingnan region as early as the Tang dynasty,their role as visual subject matter began relatively late,and the realistic creation of Guilin landscapes did not emerge until the Qing dynasty.During the Jiaqing and Daoguang periods,painters Zhang Bao,Luo Chen,and Zhang Xianghe did all create realistic Guilin landscapes based on their on-site visits and subsequently published them as travel albums.The creation of these travel images established a paradigm for the images of Guilin landscapes in the Qing dynasty,which were accepted by other painters and regarded as models for thematic creation.This not only provided a visual reference for promoting Guilin’s landscapes but also pointed to a new trend of pursuing realistic and natural creation in the field of art during the Jiaqing and Daoguang periods,and also reflected demands for innovation in painting studies against the backdrop of the rise of practical studies at that time.

关 键 词：嘉道年间 桂林山水实景书写 仿本创作 

分 类 号：K249.3[历史地理—历史学] J212[历史地理—中国史]