身体实践中的社会记忆与历史叙事——面具舞蹈麻昼个案分析  

Social Memory and Historical Narratives in Bodily Practices-A Case Study of the Mask Dance Ma Zhou

作　　者：王阳文[1] Wang Yangwen

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《艺术探索》2025年第1期106-113,共8页Arts Exploration

基　　金：西南民族大学藏羌彝文化研究院藏羌彝文化专项项目“藏羌彝走廊乡村振兴中传统舞蹈的应用研究”(ZQY2024ZX05)。

摘　　要：作为一种世界性的文化现象,面具舞蹈具有一定的时空规定和组织流程,包含了特殊的象征意义和文化功能,是典型的仪式舞蹈。对于无文字社会来说,仪式承担了族群历史记忆的主要方面,仪式中的身体实践是保持社会记忆的重要手段。仪式舞蹈通过手舞足蹈的身体实践赋予特定编码的姿势、动作以象征性意义,一方面通过重复性操演,保留并延续社会记忆,另一方面为族群的历史记忆提供了叙事文本,成为社会再生产的组成。面具舞蹈麻昼在身体实践的反复操演中建构了族群社会的知识系统、资源配置和权力话语,承担起族群历史叙事的主要功能。As a global cultural phenomenon,mask dance has specific spatiotemporal regulations and organizational processes,and it contains special symbolic meanings and cultural functions,making it a typical ritual dance.For societies without written language,rituals bear the main aspects of ethnic historical memory,and bodily practices in rituals are important means of maintaining social memory.Ritual dances,through the bodily practices of dancing with hands and feet,endow specific encoded postures and movements with symbolic meanings.On the one hand,through repetitive performances,they preserve and continue social memory.On the other hand,they provide a narrative"text"for the historical memory of the ethnic group,becoming a part of social reproduction.The mask dance Ma Zhou constructs the knowledge system,resource allocation,and power discourse of the ethnic society through the repeated practice of bodily movements,bearing the main aspects of the ethnic historical narrative.

关 键 词：面具舞蹈 身体实践 社会记忆 历史叙事 

分 类 号：J722.29[艺术—舞蹈]