近代报人对戏曲演进之影响探略  

An Exploration of the Influence of Modern Journalists on the Evolution of Chinese Opera

作　　者：周淑红 Zhou Shuhong

机构地区：[1]浙江传媒学院文学院,浙江杭州310000

出　　处：《艺术探索》2025年第1期129-135,共7页Arts Exploration

基　　金：2022年教育部人文社会科学研究青年项目“报人与近代戏曲的演进研究”(22YJC760137)。

摘　　要：在中国近代,报人群体影响着戏曲的发展演进。1902—1911年,维新派和革命派知识分子成为报人群体的重要组成部分,他们利用报纸进行戏曲改良。辛亥革命之后,民国大批报人通过种种手段介入戏曲,如:创作剧本,作为票友登场,在报刊上发表剧评进行戏剧理论的论争,捧角,经营剧场,等等。报人对戏曲的介入,极大改变了戏曲原有的发展节奏和进程,报人群体影响并建构了新型的戏曲生态。In modern China,the community of journalists played a significant role in the development and evolution of Chinese opera.Between 1902 and 1911,intellectuals from the reformist and revolutionary factions became an important part of the journalistic community and used newspapers as a platform for the improvement of opera.After the Xinhai Revolution,a large number of journalists in the Republic of China participated in opera through various means,including writing scripts,performing as amateur actors,publishing drama reviews in newspapers,engaging in theoretical debates on drama,supporting actors,and managing theatres.The involvement of journalists in opera greatly altered the original pace and course of its development,and the journalistic community influenced and constructed a new type of operatic ecosystem.

关 键 词：近代报人 戏曲改良 戏曲生态 

分 类 号：G21[文化科学—新闻学]