寂寞的终点:为希望抗争绝望,用虚无打败虚妄——读鲁迅《呐喊》自序  

End of Loneliness:Fight Hope and Despair,Defeat Nothingness with Falsehood——Reading Lu Xun's Shouting Self-Preface

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作  者:孙鼎伦 左怀建[1] SUN Dinglun;ZUO Huaijian(College of Humanities,Zhejiang University of Technology,Hangzhou Zhejiang,310014,China)

机构地区:[1]浙江工业大学人文学院,浙江杭州310014

出  处:《文化创新比较研究》2025年第2期1-6,共6页Comparative Study of Cultural Innovation

摘  要:鲁迅虽是中国现代文学的奠基人与民族启蒙的斗士,但他对待启蒙的态度却是矛盾的、变化的。一方面,他悲观于启蒙者理想向现实转化的困难,进而反思启蒙的意义;另一方面,他又不甘寂寞与消沉,其内心深处的、没有消失的“毁坏这铁屋的希望”,根本上驱动着鲁迅再次进行文学创作。最终他从一个寂寞的思考者、探索者,转变为一个积极的呐喊者、革命者,以文字为号角,试图唤醒沉睡的国人,直面寂寞,抗争绝望。该文期望通过对鲁迅“梦”与“寂寞”的解读,探寻鲁迅对于启蒙有所怀疑却又有所助力的观念,进而分析鲁迅在无端寂寞的悲哀中奋起呐喊、抗争绝望的精神。Although Lu Xun was the founder of modern Chinese literature and a fighter for national enlightenment,his attitude towards enlightenment was contradictory and changing.On the one hand,he was pessimistic about the difficulty of transforming the ideals of enlightenment into reality,and thus reflected on the significance of enlightenment;on the other hand,he was unwilling to be lonely and depressed.The lingering hope of destroying this iron house in his heart fundamentally drove Lu Xun to engage in literary creation again.In the end,he changed from a lonely thinker and explorer to an active clamor and revolutionary.With words as the horn,he tried to wake up the sleeping countrymen,face loneliness and fight against despair.This article aims to explore Lu Xun's skeptical yet helpful ideas about enlightenment through the interpretation of his"dreams"and"loneliness",and further analyze Lu Xun's spirit of rising up and fighting against despair in the sorrow of unfounded loneliness.

关 键 词: 寂寞 启蒙 希望 矛盾 追寻 

分 类 号:I210.97[文学—中国文学]

 

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