从黎族藤编技艺的“雅化”逻辑看非遗产品的审美转向  

The Aesthetic Shift of Intangible Cultural Heritage Products from the Perspective of the"Elegance"Logic of Li Ethnic Vine Weaving Techniques

作　　者：胡轩铭 张君[1] HU Xuanming;ZHANG Jun(Hainan Normal University,Haikou Hainan,570100,China)

机构地区：[1]海南师范大学,海南海口570100

出　　处：《文化创新比较研究》2025年第2期77-82,共6页Comparative Study of Cultural Innovation

基　　金：海南省高等学校教育教学改革研究项目“新文科语境下非遗介入设计学实践教学体系研究”(项目编号:Hnjg2022-52)成果。

摘　　要：非遗作为民众艺术的重要组成部分,其审美意趣根植于民间文化之中。然而,在历史的发展过程中,部分非遗工艺逐渐呈现出向文人化审美趣味靠拢的趋势,这一现象被称为“雅化”。近年来,在非遗产品的创新发展与活化利用过程中,“雅化”现象再次显现。该文以黎族藤编技艺为案例,从设计学视角出发,对其“雅化”的历史背景进行深入分析,并结合当前社会生态环境对非遗技艺所面临的挑战进行了探讨。该文旨在揭示非遗工艺产品“雅化”背后的逻辑及其所蕴含的审美价值取向,同时探索实现非遗技艺“活态化”传承的有效路径,以期为相关领域的理论研究与实践提供参考依据。Non-material cultural heritage,as an important part of folk art,has its aesthetic interest rooted in folk culture.However,in the process of historical development,some non-material cultural heritage crafts have gradually shown a trend of leaning towards the aesthetic taste of literati,which is called"elegant refinement".In recent years,the phenomenon of"elegant refinement"has reappeared in the innovative development and revitalization of non-material cultural heritage products.This paper takes the technique of Lizu bamboo weaving as a case study and analyzes its historical background from the perspective of design,and discusses the challenges faced by non-material cultural heritage techniques in the current social and ecological environment.Through this research,the paper aims to reveal the logic behind the"elegant refinement"of non-material cultural heritage products and the aesthetic value orientation it embodies,and explore effective pathways for the"living transmission"of non-material cultural heritage techniques,in order to provide reference for related theoretical research and practice.

关 键 词：黎族藤编 美学 审美取向 非遗产品 活态化传承 雅化 

分 类 号：J528.5[艺术—艺术设计]