新时代“崇高美”的银幕阐释——以新主流电影为中心  

The Cinematic Interpretation of“Sublime Beauty”in the New Era:A Focus on New Mainstream Films

作　　者：黄文杰 黄叶蕊 HUANG Wenjie;HUANG Yerui(School of Journalism and Communication,Nanchang University,Jiangsu,Nanchang 330031,China)

机构地区：[1]南昌大学新闻与传播学院,南昌330031

出　　处：《上海大学学报(社会科学版)》2025年第1期50-62,共13页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金项目(22BXW077);江西省社会科学基金项目(21XW03)。

摘　　要：“崇高”作为基本的美学范畴,其内涵与意义随时代的嬗递而不断更迭与发展。新时代语境下,新主流电影中的“崇高”承袭了以集体主义为基调的主流意识形态和以“英雄性”为内核的主要审美经验。随着新主流电影融入全新的女性经验与立场、坚持人民至上的价值逻辑、展现构建人类命运共同体的国际主义视野与关怀,被赋予新时代内涵的崇高观成为构建新时代中国电影美学新范式的重要理念基石。The concept of the“sublime,”as a fundamental category in aesthetics,has undergone continuous evolution in both content and significance across different historical periods.Within the context of the new era,the manifestation of the“sublime”in new mainstream films reflects the inheritance of a collective oriented mainstream ideology and a hero-centered aesthetic framework.By integrating fresh feminine experiences and perspectives,upholding a people-centered value system,and embodying an internationalist vision of building a community with a shared future for mankind,this redefined notion of the sublime has emerged as a pivotal theoretical cornerstone in constructing a new aesthetic paradigm for Chinese cinema in the new era.

关 键 词：崇高美 新时代 中国电影 新主流电影 

分 类 号：J901[艺术—电影电视艺术]