二里冈文化时期仿铜陶器研究  

Bronze-imitated Pottery in the Erligang Period

作　　者：辛明山 XIN Mingshan(Wuhan,Hubei 430072)

机构地区：[1]武汉大学历史学院,湖北武汉430072

出　　处：《江汉考古》2024年第6期107-113,共7页Jianghan Archaeology

摘　　要：二里冈文化时期是仿铜陶器出现与发展的重要阶段。受青铜文化的影响,陶工通过增改同类陶器的附件或装饰兽面纹的方式,制成仿铜陶器,其种类几乎涵盖所有陶器器类,且功能与使用方式也与同类陶器一致,而与铜礼器相差甚远,故仿铜陶器并不具备标识墓葬等级的作用。至二里冈文化四期,因青铜礼器制度的约束,仿铜陶器衰落成必然之势,其分布范围收缩,兽面纹逐渐简化直至消失。与殷墟四期因礼制所需而出现的仿铜陶礼器相比,二里冈文化时期的仿铜陶器与其有本质区别。The Erligang Culture period was an important stage in the emergence and development of bronze-imitated pottery.Influenced by the bronze culture,potters made pottery by modifying attachments or decorative beast-face motifs,resulting in bronze-imitated pottery.This pottery encompasses nearly all types of ceramics,with similar functions and uses;however,its forms differ significantly from bronze ritual vessels,indicating that the use of bronze-imitated pottery does not necessarily serve as a maker of burial status.By Phase IV of the Erligang Cultural period,the distribution of bronze-imitated pottery contracted due to the constraints of the bronze ritual system,leading to a gradual simplification and eventual disappearance of beast-face motifs.Consequently,the decline of bronze-imitated pottery was inevitable.Thus,there is a fundamental distinction between bronze-imitated pottery of the Erligang culture and bronze-imitated ritual vessels that emerged during Phase IV of the Yinxu period due to ritual requirements.

关 键 词：二里冈文化 仿铜陶器 功能 使用方式 

分 类 号：K871.3[历史地理—考古学及博物馆学]