中日书画文物修复用纸性能比较研究  

Comparative study of Chinese and Japanese restoration papers used for calligraphy and painting relics

作　　者：汪苡恝 WANG Yijia(School of Conservation and Restoration of Cultural Heritage,Shanghai Institute of Visual Arts,Shanghai 201620)

机构地区：[1]上海视觉艺术学院文物保护与修复学院,上海201620

出　　处：《文物保护与考古科学》2025年第1期133-138,共6页Sciences of Conservation and Archaeology

摘　　要：中国和日本对书画文物的保护都采用装裱技术,其中纸为主要材料之一。我国传统书画文物装裱主要修复用纸为宣纸,而日本所用修复纸涉及美浓纸、宇陀纸和美栖纸等。本研究比较了中国和日本六种修复纸的造纸原料、物理性能、微观结构和化学成分。结果表明:宣纸主要成分为青檀皮和稻草,日本三种修复纸纤维成分为楮皮;宣纸机械强度纵横向差异比日本纸小,但日本纸具有较好的强度;六种纸均符合安全接触文物的要求。中国和日本的修复纸各具特点,丰富的日本修复纸品种可为我国修复纸定制提供一定的参考。The mounting technology for the conservation of calligraphy and painting relics are used in both China and Japan,and paper is one of the main materials.The main paper used for traditional calligraphy and painting relics in China is rice paper,whereas the restoration papers used in Japan include Mino paper,Uto paper,and Misu paper.In this study,the raw materials,physical properties,microstructures,and chemical compositions of six types of restoration papers from China and Japan were compared.The result show that 1)the main components of rice paper were green sandalwood bark and straw,whereas the fibers of the three types of Japanese restoration papers were paper mulberry bark;2)the rice paper has smaller vertical-horizontal differences in mechanical strength than the Japanese papers,but the latter feature better strength;3)all the six types of papers met the requirements for safe contact with cultural relics.Both Chinese and Japanese restoration papers have their own characteristics,and the rich variety of Japanese restoration papers could provide certain reference for the customization of restoration papers in China.

关 键 词：书画修复用纸 纸张性能 中国 日本 

分 类 号：K876.9[历史地理—考古学及博物馆学]