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作 者:杜晓宇 DU Xiaoyu(Department of Chinese Studies,National University of Singapore,Singapore 119260)
出 处:《长春师范大学学报》2025年第1期66-71,共6页Journal of Changchun Normal University
摘 要:精怪是志怪小说中重要的母题之一,其相关记载可追溯至上古神话,至汉末魏晋时期,主要见于笔记杂传之中。随着社会与文化的变迁,古老的精怪概念历经多次演变,逐步吸纳并融合新的思想潮流,最终成为交织巫、道、儒、释等思想的文化结晶。在魏晋南北朝时期,文化交流的深入带来了新的观念与启发,促成了“器物精怪”这一新类型的出现。本文旨在梳理精怪概念的演变脉络,探讨器物精怪产生的思想渊源,并以这一案例揭示中国文化思想交融的历史进程。Spirits are a central motif in zhiguai(records of the strange)literature,with origins traceable to ancient mythology and later compilations in miscellaneous records and narratives during the Han to Wei-Jin periods.As societal and cultural contexts evolved,the ancient concept of spirits continuously incorporated new elements,transforming into a focal point for the interplay and convergence of shamanic,Daoist,Confucian,and Buddhist ideas.This dynamic interaction gave rise to a new subcategory of spirits associated with objects during the Wei-Jin and Northern and Southern Dynasties.This paper seeks to clarify the developmental trajectory of the spirit concept and explore the origins of object spirits,thereby shedding light on the background of cultural and ideological integration in China.
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