史学研究的视域创新:2024中国设计史研究综述  

Innovation in the Perspective of Historical Research:a Review of the Research on Chinese Design History in 2024

作　　者：贡雨婕 

机构地区：[1]北京大学艺术学院

出　　处：《创意与设计》2025年第1期14-20,共7页Creation and Design

基　　金：国家社科基金艺术学重大项目“中国设计艺术学科体系、学术体系、话语体系及现状评估与评价标准研究”(23ZD14)。

摘　　要：2024年,中国设计史研究稳步推进,体现出日益鲜明的中国立场、学科主体意识和越发广阔的研究视阈。在研究中,出现了“工艺美术”向“现代设计”转进的细致拆解、物质文化史与视觉文化史转向、全球设计史视野的拓展等趋势,同时也涌现出优秀展览和写作坊等系统性、组织性的设计史书写的现象,但也存在设计史研究主体受到冲击、理论原创成果罕见等问题。In 2024,research on Chinese design history was steadily advancing,reflecting an increasingly distinct Chinese stance,disciplinary consciousness,and a broader research perspective.In research,there have been trends such as a detailed breakdown of the shift from"arts and crafts"to"modern design",a trend in material and visual cultural history,and an expansion of global design history perspectives.At the same time,there have also been the appearance of systematic and organized design history writing such as exhibitions and workshops.However,there are also problems such as the impact on the research subject of design history and the rarity of original theoretical achievements.

关 键 词：设计史 中国设计 工艺美术 物质文化史 

分 类 号：G63[文化科学—教育学]